Allora & Calzadilla (SACI Alumni, 1995) in Puerto Rico: Dia Art Foundation presents “Puerto Rican Light” (2015)

Allora & Calzadilla, Puerto Rican Light (Cueva Vientos), 2015. Guayanilla–Peñuelas, Puerto Rico. © Allora & Calzadilla. Photo: Myritza Castillo.

Allora & Calzadilla, Puerto Rican Light (Cueva Vientos), 2015. Guayanilla–Peñuelas, Puerto Rico. © Allora & Calzadilla. Photo: Myritza Castillo.

Allora & Calzadilla
Puerto Rican Light (Cueva Vientos)

Opening: September 23, 2015 (through September 23, 2017)

Puerto Rico

Opening on September 23, 2015, the autumnal equinox, Dia Art Foundation presents Puerto Rican Light (Cueva Vientos) (2015), a new long-term work by Allora & Calzadilla on the southern coast of Puerto Rico, inside a remote cave at El Convento Natural Protected Area.

Puerto Rican Light (Cueva Vientos) is the newest iteration in a series of system-based sculptures by Allora & Calzadilla. Central to this commission is a solar energy converter that captures and stores sunlight, which is then used to power Dan Flavin’s Puerto Rican Light (to Jeanie Blake) (1965). For Dia’s commission, the artists ambitiously expand this sculptural gesture by installing Puerto Rican Light (Cueva Vientos) in a cave in Puerto Rico. The journey is part of the viewer’s experience, similar to other Dia sites, including Walter De Maria’s The Lightning Field (1977) in New Mexico and Robert Smithson’sSpiral Jetty (1970) in Utah.

Allora & Calzadilla address light (both natural and electrical), as well as its representations and meanings throughout modern history, within an environment that predates and may survive human civilization. Reminiscent of myths associated with the symbolism of the cave, Puerto Rican Light (Cueva Vientos) also directly addresses this natural setting as the scene of the first human artistic manifestations, which appeared in the form of cave paintings thousands of years ago.

Puerto Rican Light (Cueva Vientos) demonstrates Dia’s commitment to long-term commissions, which is at the center of our mission,” said Jessica Morgan, Director, Dia Art Foundation. “It has been a privilege to work with Allora & Calzadilla in realizing this work, which explores the connections between body, space, time, energy, and environment.”

Co-curated by Yasmil Raymond and Manuel Cirauqui, Puerto Rican Light (Cueva Vientos) is Dia’s first long-term installation outside the continental United States since Joseph Beuys’s 7000 Eichen (7000 Oaks) in Kassel, Germany, in 1982. This project is informed by Dia’s commitment to Flavin, a core artist in Dia’s collection. Major presentations of Flavin’s light sculptures are on view at Dia:Beacon (Beacon, New York) and at the Dan Flavin Art Institute (Bridgehampton, New York).

Puerto Rican Light (Cueva Vientos) is organized in collaboration with Para la Naturaleza, the nonprofit unit of the Conservation Trust of Puerto Rico, and a partnership with the Museo de Arte de Ponce.

Visitor Information
Guided visits for small groups are available Wednesday through Sunday at noon. Visits include a moderate hike and last approximately two hours. Arrangements will be made for school and special groups.

The work is situated between Guayanilla and Peñuelas, Puerto Rico.

Travel times by car are:
Ponce: 30 minutes
San Juan: 2 hours
Dorado: 2 hours, 45 minutes
Aguadilla: 1 hours, 30 minutes

Reservations are required. For more information, visit www.puertoricanlight.org.

Publication 
An illustrated publication will be available in winter 2016 in English and Spanish. It will investigate the work’s creation and its place at the intersection of art history, environmentalism, philosophy, and scientific research.

Funding
Lead support is from project sponsors Robert and Encarnita Valdes Quinlan. Major support is provided by the Teiger Foundation. Generous support has been provided by the Diane and Bruce Halle Foundation and Dia’s Commissioning Committee: Marguerite S. Hoffman, Fady Jameel, Jill and Peter Kraus, and Leslie and Mac McQuown. Additional support is provided by Tony Bechara, the Leon Levy Foundation, and Pedro Jimenez. Generous funding for the publication is provided by VIA Art Fund. Additional support is provided by Gladstone Gallery, New York and Brussels; Kurimanzutto, Mexico City; and Lisson Gallery, London and Milan.

Para la Naturaleza
Para la Naturaleza is dedicated to integrating society in the conservation of natural ecosystems. For more information, visit www.paralanaturaleza.org.

Dia logoDia Art Foundation
Dia Art Foundation is committed to initiating, supporting, presenting, and preserving extraordinary art projects. For more information, visit www.diaart.org.

Contact: press@diaart.org / T +212 293 5598

SACI logoInternationally renown artist duo, Allora & Calzadilla met while they were students in Florence at SACI (Spring 1995) and have been collaborating together ever since, gaining recognition around the world with their unique mix of sculpture, photography, live performance, sound, and video in both conceptual and dimensional work and installations. Projects based on research comment on cultural, social, political, and historical metaphors. Read more…

About SACI

SACI is a US non-profit College of Art and Design in Florence, Italy, for undergraduate and graduate students seeking accredited instruction in studio art, design, conservation, art history, and Italian language and culture. Founded in 1975, SACI offers the following programs: Academic Semester/Year Abroad, Late Spring & Summer Studies, Venice Summer Program, Post-Bac in Conservation, Post-Bac in Studio Art; MFA in Studio Art, MFA in Photography, MFA in Communication Design, Low-Residency MFA in Studio Art, MA in Art History.

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